Graphic Archive: Marks, Colours, and the Stuff That Stuck

A drawer of visual identities, logos, and graphic leftovers accumulated over the years. Musical favours, personal obsessions, experiments that seemed like a good idea at 2 AM. This archive doesn't tell a career story. It tells a story of trying to turn sounds and ideas into marks that don't immediately fade.

Most of them didn't pay the rent. Some of them didn't even cover the beer. But they're here anyway.

Music & Live

Projects

Album covers, posters, and logos for collectives, labels, and nights that mostly happened in basements.

Aba Made Sound - logo
Musical Collective

Aba Made Sound

2012 · Turin

Orange, texture, typography dragged through a photocopier. The album's still up on the music page. It holds up.

Cyberdread - logo
Label / Web Project

Cyberdread

2007 · Turin

My own electronic music and dub project. Logo outlived the activity. Tracks are still online. I wasn't that good anyway.

Dub Travellers Poster
Live Event

Dub Travellers

2005? · Turin

Poster for an Afro-Jazz House night. Best flyer I ever made. Shame about the turnout.

Brand & Craft

Visual Identities

Small projects for small realities.

Mafelicita - logo
Fashion & Tailoring

Mafelicita

2010 · Turin

Sticker design for a friend's handmade clothing brand. She actually makes a living from it, which is more than most.

Nocciola Piemonte IGP
Food & Agriculture

Nocciola Piemonte IGP

2018 · Piedmont

Label for a friend's hazelnut farm. Logo nods to early 1900s design. The tradition feels older than the business actually is.

Fluido - logo
Local & Music Bar

Fluido

2014 · Turin

Logo for the best club Turin ever had. Blue, white, river right there. Now it's gone. Like everything good in this city.

Archive & Street Art

Urban Projects

Ephemeroptera - logo
Street Art Archive

Ephemeroptera

2018 · Turin

Stylised insect on orange. Ephemeral turned into a sign. There's a site now: ephemeroptera.art. Recent. Still alive.

The Method

Analogue Aesthetics in a Digital World

Fanzines. Photocopiers. Printers that jammed at the worst moment. Grit. Colours that look washed. Typography that doesn't apologise.

No vector perfection. Just the soul of the thing. Retro, illustration, a healthy disrespect for corporate rules. Identities that feel lived-in, recognisable, slightly dusty—like they've already survived something.